Osvaldo Golijov
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Night of the Flying Horses (2002)
   [Texts] · [Notes] · [Reviews]
     See also: Lúa Descolorida, How Slow the Wind, Three Songs for Soprano and Orchestra, Doina, Lullaby and Doina
 
"Night of the Flying Horses starts with an Yiddish lullaby that I composed for Sally Potter's film The Man Who Cried, set to function well in counterpoint to another important music theme in the soundtrack: Bizet's Aria Je Crois Entendre Encore, from The Pearl Fishers. In her film Sally explores the fate of Jews and Gypsies in the tragic mid-years of the 20th century, through a love story between a Jewish young woman and a Gypsy young man. The lullaby metamorphoses into a dense and dark doina (a slow, gypsy, rubato genre) featuring the lowest string of the violas. The piece ends in a fast gallop boasting a theme that I stole from my friends of the wild gypsy band Taraf de Haïdouks. The theme is presented here in a canonical chase between two orchestral groups."
CATEGORIESSoloist & Orchestra; Orchestra
INSTRUMENTATIONsoprano solo.2(II=picc, afl).1.corA.1.bcl.2-2.0.0.0-cel-strings
[Also available in orchestra instrumental version.]
DURATION8'00"
WORLD PREMIEREMinneapolis, MN March 2002
WORLD PREMIERE PERFORMERSDawn Upshaw and Minnesota Orchestra, Alan Gilbert, conductor.
OTHER NOTABLE PERFORMANCESNY Premiere: Dawn Upshaw and Orpheus; Carnegie Hall December 12, 2002
COMMISSIONOrchestrations commissioned by the Minnesota Orchestra for its 100th anniversary
SCORE AVAILABILITYScore available for sale. Parts available for rental.  [more info]
TEXTSSally Potter